The perception eassay Essay Example | Topics and Well Written Essays - 1250 words

The perception eassay - Essay Example Self-concept affects the formation of the style of behavior and human activity. In other words, it largely determines the dynamics and direction of development of the person. Psychologists study self-concept from different perspectives. Thus, the assessment of oneself as a whole as good or bad is considered to be general self-esteem, and the assessment of the achievements in selected activities is called private. It is essential that private evaluation may develop unevenly. Factors that affect the self-concept can be viewed from different perspectives, so-called the particular others and generalized others. In addition, we can divide it into actual (what has already been achieved) and potential (that one is capable for). It may be adequate, when the opinion of the person currently coincides with the fact that he really is. The person properly correlates his capabilities and skills; he is sufficient critical to himself, analyzing his failures and successes, trying to set goals that can be achieved in practice. Examining the progress he uses not only his own point of view, but also trying to predict how other people would react. In those cases when a person evaluates himself not objectively, when his opinion of himself differs from what is considered by others, self-concept is often inadequate, and is divided into overcharge and undercharge one. When self-concept is inadequate, a person has a misconception about himself, idealized image of his personality and capabilities, of his value in others` eyes. Based on the written above, I can describe my self-concept as adequate. Im not trying to please others too much, but at the same time I do not forget that my opinion is not considered as the only right. I can be described as a person, who understands what self-esteem feeling is. I know my rights as a human being, and do not

Full block international letter Essay Example for Free

Full block international letter Essay September 11, 2007 Dear Mr. John, Thanks for writing to us, enquiring about our new hair-product, â€Å"Growmore†. We appreciate your kind interest. We are aware that you are one of the top super-stockiest of hair-oil products in your State, California; you have the network to supply the products to about 3000 boutiques all over the State. We have received hundreds of enquiries from your State, in response to our mail-order communication, but you are the one selected by the Company for further negotiations for a sales contract. Yes, it is possible with you. Though we do not have any business dealings so far, our Managing Director Mr.Wills Parker is personally aware of the reputation of your Company. We believe, you have gone through the product catalogue. Being in this line, you must have come across some interesting new features about this oil. This product is catching up fast with the women clients; it is already the number one product of our company within a short span of two years. Extensive promotion of this product is being done this year in the European and USA markets. Now that we are on the threshold of a working deal, I need to share some additional information with you, not mentioned in the catalogue. A research team of five, all of them holding Doctorates in herbal medicines, was given the responsibility of developing this unique product, three years ago. Along with application of the oil, guidelines about figure, diets and nutrition, exercising, staying young and healthy and beauty problems of every kind have been given. The truth about this hair oil is that mere applications will not do; hair-growth can not be bought in a jar it is necessary to tell the truth to a client, to win the long-term trust—one has to change the living style. The results are guaranteed. Only a healthy individual will have the healthy growth of hair. Every woman, irrespective of the age, would like to remain poised and sophisticated, with a stunning hair-growth. Hair is the permanent and most versatile accessory of a woman. It is a vital part of her personality and looks. To a cosmopolitan woman, it is a medium of art and self-expression. We only wish to assure them that it is possible to fulfill their aspirations. This is the genuine assurance of our product. This product cures the existing problems and prevents the impending ones that contribute to then loss of hair. I am writing this letter in some length, because we are aware that you are the stockiest of hair oil and other products for many companies. We demand your very best attention to promote our product at the initial stage. We say, at the initial stage, because we know, the intelligent and satisfied customers will then take over the sales campaign for the benefit of both of us. Chemically prepared and preserved cosmetics have done enough damage to the hair of women. Now the herbs, fruits and vegetables have taken over. The facts mentioned in hundreds of ancient texts on herbal oils have been researched over, and this product is the result of it. The first dispatch of 2000 jars is under way. As discussed over the phone, our Chief Sales Manager (International), Mr. K. L. Baptist will call on you, with an appointment, within the next ten days. We look forward for a happy and long association with you. Yours truly, Mark Patterson. Deputy General Manager.

Sex, Drugs, Disasters, and the Extinction of Dinosaurs by Stephen Jay G

â€Å"Sex, Drugs, Disasters, and the Extinction of Dinosaurs† is written by Stephen Jay Gould, professor of geology and zoology at Harvard. This essay is one of more than a hundred articles on evolution, zoology, and paleontology published by Gould in national magazines and journals. It tells about scientific proposals for the extinction of dinosaurs – a confusing but an exciting problem that humanity tries to solve. By analyzing and describing each of the claims for the reptiles’ demise – sex, drugs, and disasters – Gould differentiates bad science from good science and explains what makes some theories silly speculations, while the other, a testable hypothesis. Any hypothesis, Gould says, begins with the collection of facts. In this early stage of a theory development bad science leads nowhere, since it contains either little or contradicting evidence. On the other hand, Gould suggests, testable proposals are accepted temporarily, furthermore, new collected facts confirm a hypothesis. That is how good science works. It is self-correcting and self-developing with the flow of time: new information improves a good theory and makes it more precise. Finally, good hypotheses create logical relations to other subjects and contribute to their expansion. The disaster theory, Gould claims, is an example of good science. It has testable evidence and has an impact on studies in other fields of science, it develops further and explains why the extinction of dinosaurs occurred simultaneously with other events. This theory suggests that a large comet hit the Earth sixty five million years ago, causing the cloud of dust to rise into the sky and to block sunlight. As a result, world temperatures went down significantly, the ice age bega... ...r optimum temperatures, hot climate caused the dinosaurs to heat up beyond their optimum. However, the heat didn’t kill them, but sterilized the males, because their testes functioned at certain temperatures. Gould argues that this theory is untestable, and the experiments with the influence of extreme temperatures on modern alligators do not necessarily explain the extinction of dinosaurs. Furthermore, many questions are not answered because of the absence of evidence. Gould states that this theory is another example of bad science. Sex, drugs, and disasters are both popular topics that grab public attention and scientific theories of the extinction of dinosaurs. While sex and drug hypotheses represent silly speculations, the disaster claim is good science: it provides testable evidence, has an impact on other scientific fields, and generates continuous research.

The Use of Appetite Suppressants Essays -- Health Diet Weight Loss Ess

The Use of Appetite Suppressants In the past two decades, Americans and most of the Western world have become obsessed with losing weight. Countless diets, weight loss strategies and gimmicks have been and remain on the market and cost Americans billions of dollars every year. The media perpetuates this ideal of thinness and so people continue in desperate attempts to shrink their bodies. People have gone to extreme measures such as stomach stapling, liposuction and starvation diets to try and take off excess weight. Many Americans are willing to do whatever is necessary to look a certain way, no matter what the cost. Sometimes these costs outweigh the benefits of losing weight. Oftentimes, when people diet and lose weight, they end up going off the diet and gaining the weight back. This leads to a perpetual cycle of yo -yo dieting. Nevertheless, the quest for losing weight remains a priority in many people’s lives. One of the options that many people have taken in attempt to lose weight is the ingestion of various appetite suppressants. The logic behind this is that if one takes an appetite suppressant, they wont feel hungry. Without hunger, the person will ingest less food and by ingesting less food, the person will lose weight. The concept is actually quite simple and has been around for many years. Hunger is â€Å"the physiological need of an animal for food (Lasagna, p.132).† Appetite, on the other hand, is â€Å"the psychological motivation for food intake- which is independent of the individual’s nutritional state (Lasagna, p.132).† An appetite suppressant attempts to lessen a person’s psychological motivation for food, even though there might be a need for food intake for nutritional reasons. Phenylpropanolamine, ... ...rs. New York, N.Y. Morgan, J.P. (1986). Phenylpropanolamine: A critical Analysis of Reported Adverse Reactions and Overdosage. Jack. K. Burgess, Inc. Fort Lee, N.J. Fillmore, C. M. et al. (1999). Nutrition and Dietary Supplements, Phys Med Rehabil Clin N Am, 10, (3), 673-703. Silverstone, T. (1986). Clinical Use of Appetite Suppressants, Drug and Alcohol Dependence, 17, (2-3), 151-167. Wellman, P.J. (1990). A Review of the physiological bases of the anorexic action of phenylpropanolamine, Neuroscience and Biobehavioral Reviews, 14 (3), 339-355. Greenway, F.L. (1992). Clinical Studies with phenylpropanolamine: a metaanalysis, American Journal of Clinical Nutrition, 55, 203-205. Alger, S. et al. (1993). Effect of Phenylpropanolamine on energy expenditure and weight loss in overweight women, American Journal of Clinical Nutrition, 57, 120-126.

Duchess of Malfi Essay

The Duchess of Malfi written by John Webster was first performed around 1613. A dramatic tragedy, the play is about a forbidden marriage between the Duchess and Antonio her steward, and the wrath of her brothers which leads to many of their deaths. Webster focuses on the role of rank to detail the emotions between relationships in an aristocratic family in a time when class was all important. He uses many distinctive features to convey the substance of the play and its characters, and give the actors playing the roles cues for stage performance. This extract is part of the proposal and marriage scene, one of the biggest emotional dramatic scenes of the play. The duchess is marrying in secret against her brothers wishes; their fear is that she will demean the family’s honour by remarrying. It also forms the most positive aspect of the play, using one of the traditional stage conventions of love, defiance and disapproval (Pacheco and Johnson (2012) pg. 93). This serves to provide a ‘lift’ to an otherwise dark play, and compares the lighter side of the Duchess’ sexual desire to her brother Ferdinand’s. The extract is set at the second half of Act 1 scene 1, the first half being to set the backdrop for the audience and give them a good idea of each character and a good indication of things to come. Specifically, the extract is between the Duchess finding out how Antonio feels about marriage and their union itself; here, the Duchess is convincing Antonio that he is worthy of her, that she is woman enough despite her brothers, her rank and her status as a widow. This is achieved by the features of Webster’s distinctive language and the stage directions (both written and performed through reading). The Duchess uses double meaning in her dialogue, ‘So now the grounds broke/ you may discover what a wealthy mine/ I make you lord of.’ (Webster, (2010[1623]) 1.1.432-33). She is referring to her own wealth and the value of his rank when they marry. This wordplay is also in the line ‘we are forced to woo because none dare woo us:’ (Webster, (2010[1623]) 1.1.446) she is again referring to her rank and playing on the word ‘woo’ to mean ‘woe’ (and the irony being that she is wooing him). These are very persuasive lines for Antonio, who feels unworthy of the Duchess despite the traditional gender roles being swapped, and the dominance of the Duchess being prevalent. He realises this with the line ‘These words should be mine,’ (Webster, (2010[1623]) 1.1.476). There is also wordplay in ‘All discord, without this circumference, / Is only to be pitied and not feared.’ (Webster, (2010[1623]) 1.1.473). The Duchess is referring to the situation they are in (secret wedding and/or the room), the wedding ring she has given him and to the confinement her brothers wish for her. There could also be reference to how Antonio will be should they marry – a higher rank, but it will be a secret for some time. The duchess is trying to assuage the fear of it all by saying without it there is only pity (for her). The metre and rhythm of the speech in this extract is another distinctive feature. It is un-rhyming blank verse and follows the rules of iambic pentameter except where Webster wants a character to pause, for example, ‘You were ill to sell yourself’ (Webster, (2010[1623]) 1.1.435) is only three feet of the full five feet line, leaving two for pause before the next line. This puts impact on that line but also on the ones following it. This technique is also echoed in the ‘woo’ line (Webster, (2010[1623]) 1.1.446); the metre of the line is slightly too long, which shows the Duchess’ unwillingness to follow orders. Likewise, the line ‘You have left me heartless, mine is in your bosom’ (Webster, (2010[1623]) 1.1.453) is too long, giving emphasis on the line and a cue for the actress playing the Duchess to use it for stage direction. The Duchess and Antonio’s dialogue overlaps through most of this extract; it makes them sound as if they are thinking together – giving the audience a feel for the emotional charge between the two characters. We have already seen from earlier in scene 1 that the Duchess is clearly defiant of her brothers, so it is little surprise to see that in response to Antonio’s fear of them she shrugs them off with the line ‘Do not think of them.’ (Webster, (2010[1623]) 1.1.472). this confirms the audiences view of her as being strong and resilient but also somewhat naive, and also gives them a clue of what is to come, especially when she follows with the lines ‘Yet, should they know it, time will easily/ scatter the tempest.’ (Webster, (2010 [1623]) 1.1.476). This dramatic irony confirms what the audience knows but Antonio does not: that her brothers are unaware of their impending marriage. Indeed, with these lines Webster is inviting the audience to fear the brother’s reaction too after hearing their earlier death threat to the Duchess. (Webster, (2010[1623]) 1.1.298-344) The depth of each character and difference of rank is shown in this extract by Webster’s use of figurative language. The Duchess continuously shows her determination and sprit, something which continues throughout the play – even to her death. And poor Antonio, who despite being honest and loyal, is overwhelmed at the turn of events and the metaphoric swapping of gender roles to the point where he is seeking solace in the Duchess’s words and is happy to be deluded ‘Would not have savoured flattery’ (Webster, (2010[1623]) 1.1.478). He is painfully aware that he is not equal in rank but will be in marriage, and his fears exaggerate her strength ‘These words should be mine,/ And all of the parts you have spoke, if some part of it/ Would not have savoured flattery.’ (Webster, (2010[1623]) 1.1.476-8) As for performance, the extract only provides one written key stage direction ‘(she kisses him)’ (Webster, (2010[1623]) 1.1.468). However, there is plenty in the reading of the extract to relate to performance. This also leaves room for interpretation in relation to performance possibilities. The pace of the dialogue changes depending on which character is speaking, for example, lines 445-462 are full of short syllables which quicken the rhythm of the metre to make it energetic and erratic, ‘And fearfully equivocates,’ (Webster, (2010[1623]) 1.1.448). It could serve to make the Duchess sound tense yet determined, and she could be sort of ranting in her attempts to convince Antonio. These lines also provide many words that can be used as stage direction, for example while she is speaking between lines 445 and 451 she could be pacing the stage and using her hands to emphasise her point ‘The misery of†¦ Thing it is not’ (Webster, (2010[1623]) 1.1.445-52). Also in ‘Go, go brag,’ (Webster, (2010[1623]) 1.1.452), she could point off stage as if inviting him to leave, either in an angry or defeated way. After, in ‘You have left me heartless’ (Webster, (2010[1623]) 1.1.453), her hands could go to her heart, and then onto his with ‘mine is in your bosom’ and leave them there for ‘you do tremble (Webster, (2010[1623]) 1.1.453-54). She could shake him at ‘awake, awake, man,’ (Webster, (2010[1623]) 1.1.459). The pace slows down again after Antonio has promised to protect her reputation; the syllables become longer and more even and written commas slow the dialogue to make it measured. This follows to the end of the extract so we can see that the Duchess is calmer and happy now that Antonio has accepted her proposal. This should reflect in the way that the person playing the Duchess should perform, especially when she is shrugging off the fear of her brothers, as it is almost nonchalant. The stage set up should have enough room for there to be complete focus on the characters and no superfluous scenery – perhaps only what is required to make it obvious what the room is, plus the table and chair for Antonio and the curtains for Cariola to hide behind. If the Duchess is pacing the stage while she rants there should be adequate room for this, and Antonio could follow behind her. Indeed, if he is seeking solace in her words, the actor may wish to appear meek (and therefore filling the gender and rank role) by following her blindly but also allowing her to turn to place her hands on him where necessary. In all, we can see how the distinctive features of Webster’s language have brought the play into being. The use of dramatic irony, metre and rhythm, imagery and figurative language to convey emotion, bring scenes to life and help the audiences perception. Webster also especially does this in his use of figurative language to create stage directions for the cast, which in turn helps them to set and convey the scene. With the play only having little written stage directions, Webster leaves the play open for the actor’s interpretation, and its possibilities onstage.

Ethical Practices in the Fashion Industry Essay Example

Ethical Practices in the Fashion Industry Essay Example Ethical Practices in the Fashion Industry Paper Ethical Practices in the Fashion Industry Paper Executive Summary Ethical practices in the fashion Industry can be defined as the production of materials with morality. With social responsibility of the world fashion houses, and designers are now acknowledging the significance of ethical business. Trying to run a fashion business on goods that do not harm the environment and are cruelty free is easier said than done as I will bring to surface the ethical issues emerging in the fashion industry. Because fashion is so indicative of the political and social climate n which we live, what we wear will always be a symbol of our environment Ethical fashion is not Just a mere integration of the sustainable development dimensions within the field of conventional fashion, but an entirely new paradigm of fashion (Starts et Erm, 2009). Ethics in a business creates a sense of right and wrong in a business, For the fashion industry to become more ethical they need to be able to satisfy their customers needs and at the same time being morally driven and sequestrating ten planet Ana term ethical include; Fair trade Child/slave labor Carbon footprint Organic Food miles isosceles Tanat teeny affect. Elements Incorporated Animal welfare/testing Recyclable/bio-degradable Global warming Supplier relationships Fair trade laws The major social and environmental certification schemes in fashion are the organic and fair-trade certifications, like the food industry the fashion industry now wants to address issues in their supply chains which I will talk about late on in this report. The organic stamp focuses on farming techniques used to grow organic materials and fair-trade focuses on the business relationships between the supplier and their customers to promote and improve farmers, artisans and suppliers livelihoods and reels above poverty tongue Tall-trialing. I en Tall trace trend Is now growing wit high street retailers opting for more organic and fair-trade certified goods. However even though these certifications present good they dont solve all the ethical issues in the industry because some companies that use these certifications still find a loophole and violate labor right. Fair trade promise consist of: No children under the age of 16 make our products. We provide: equality for men and women in pay and opportunity within the workplace. We pay: a fair wage to all workers that is either at or above the national average. To ensure: safe working conditions, regular breaks and holidays for all workers. To pay: producers in advance so that they do not go into debt buying materials. To promote: traditional crafts in order to keep traditions alive and provide vital income for villages. To work: with smaller community trade projects that provide essential support to disadvantaged people in rural areas. We always: use chemical free and natural dyes which have the least impact on the environment. Increasing :our range of organic cotton to promote sustainable and environmental fashion as well as protecting the health and wellbeing of the growers. To recycle: materials into some of our garments and to use waste fabric to make beautiful bags. We will: continue our research in order to increase our range of organic cotton and biodegradable packaging. To increase: awareness for the need to shop responsibly and to push the multi-nationals into working towards Fair Trade on a global level. (source : HTTPS://www. Intimidating. Com/content/firetrap/our- actions ) Fashion Supply chains In recent years there has been a growing interest in the design and implementation of agile supply chain strategies (Christopher, 2000). One of the most valuable aspects of being ethical especially in the fashion industry is transparency. The problem with this industry is that is very difficult for consumers to find out every detail about how their fashion garments are made and where they came from. The ever-growing globalization, the market expansion and the volatile fashion intensify competition in the fashion chain. Most consumers blame fashion houses for ethical issues in the supply chains, in the fashion world supply chain chains must be highly responsive and be able to satisfy market needs. Fashion brands such as H;M, Primary and Ezra can reduce the whole process cycle from intangible design to a final product ready to sell product in the retail store within a few weeks. The main challenges facing the global fashion supply chain are the rising costs, sourcing markets, the increased competition in retail and also the pressure to incorporate supply chains and alteration towards faster fashion cycles. Figure 2 shows a typical apparel supply chain Within the Fashion industry there are models that reflect directly on the supply chain. Trends must be identified quickly, products designed, samples created and then sent quickly out to the target markets. Each fashion house involves many functional domains such as manufacturing, planning, marketing etc. As snow In ten TTL-2 Detective supply canal manages now AT mean and supply. Making a supply chain ethical isnt about Just fair wages and elimination child labor reducing waste is also as important . For the fashion industry to have ethical supply chains they must therefore not only consider the present issues, but think about how, in the future, it can deliver the same financial rewards while using far less resources. Brands like levis Jeans are now working on detoxifying its supply chain and committing to not using hazardous chemicals from its ENTIRE production process in all countries they manufacture by 2020. High street brands Monsoon and New Look where given top rating for their supply chain policies by the ethical consumers buyers guide by providing decent working conditions for overseas partners and workers. Whilst other elite fashion houses pay no regards to corporate ethics. Fashion and the environment In Todays world everything is now growing at a rapid pace, which means people are starting to consume more in general and material wise because more countries are becoming industrialized. The fashion industry has the power to encourage the consumers to throw away the old products that are still useable and buy the new and more stylish products, is now emphasizing to reserve and preserve in order to be the part of efforts for sustainable development. Householders 1990) the growth in the consumption of fashion has led o major environmental issues such as: water consumption, textiles and clothing waste and landfill. Clothing sent to landfill increases each year not forgetting that some of the materials being thrown away do not decompose and contributes to global warming. The fashion industry is one of the main contributors to the emission in the atmosphere and the loss of resources. Over 5000 chemicals are used in the process of clothes making and the huge growth in water consumption keeps rising. So by choosing more efficient materials that use less resources, less water and cause sees pollution everyone can then begin to design the textile products and more sustainable systems ( Fletcher 2008). Cultural enforceabilitys 2005 Ill Chin Eddie Mort (photo Bags found via Google images)Fashion no longer trickles down from couture to the mainstream; fashion directions come from everywhere various ethnic groups, youth looks from the street, etc. (Gold, 1991). Fashion helps express and shape popular culture, and the fashion industry is the most visible and overlooked of cultural sectors. There are different stimuli that influence the fashion ultra which are low culture, high culture and pop culture. High culture refers to visual arts and other forms of arts such as music. These can be of great inspiration to the fashion industry by observing art, designers get ideas for their designs and some luxury brands collaborate with artists to produce iconic fashion essentials. A great example of a designer that based her collection on high culture is Viviane Westwood her Red Label show was based on women who enjoy art and culture. Hotplate: Jonathan Brady/Geoff Caddied/EPA/APP/Getty Images pop culture is highly influenced by celebrities, in recent years the exposure and power of celebrities has ridiculously increased. Celebrities have become somewhat of role models and also studied by the public. This culture is seen as commercial culture and this can influence lifestyles and self-image of many individuals. Especially that now music and fashion industries are more linked than ever with music and fashion magazines e. G. Rolling Stone marketing fashion conscious artists. Lastly we have the low culture also Known as ten cultures, wanly Includes street craze Tattoos e. G. Skaters style, street/gangster style and harmful style. These are influenced by graffiti movements, sports subcultures are quickly absorbed by mass cultures, low cultures has become more and more fashionable making them easily adaptable to the fashion industry Seasons trends Fashion is a mirror of history, its always rotating, coming back and mixing pieces from a certain time with new century pieces. Trends looks at the communication of changes in the consumer lifestyle fashion in general and culture and are a framework for the appreciation of change and development. During 2012 and this years fashion trends are the unisex clothing and fancy futuristic footwear. They also mix historic pieces and awaken the clouds with metallic giving them a futuristic look to them. Alexander Unseens Futuristic Fall nanny order to understand fashion trends one has to be aware of their social cultural way of living which include different influences. There have been more sustainable and ethical brands being introduced by large retailers than ever before. The seasons trends are changing due to the awareness increase of fashion sustainability issues. Consumers are looking to live and represent more sustainable lifestyles According to a survey constructed on consumers more and more women want to see more green products and clothing in product lines (organic exchange 2007). With the consumers becoming more responsible they have shifted from want more to wanting more quality and authentic fashion. It not about the quantity anymore its about the quality. Kenya West wearing a Cline Silk Blouse from the SP/US 1 1 Collection Unisex looks from the RAID by Raid Hooraying Spring/Summer 2011 Runway Show I I Conclusion It is well defined that the world is slowly but surely embracing the concept of ethical practices in the fashion industry and it is still emerging in different countries. There is still a lot of work that is yet to be done in the realm of fair trade and ethical practices.

Miracle Economics essays

Miracle Economics essays In his book Asiaà ­s Miracle Economies, Jon Woronoff examines the dramatically quick economic growth of five Asian countries. The five countries examined are Japan, Taiwan, Korea, Singapore, and Hong Kong. Through his study the author demonstrates that there was no miracle involved in these countries growth. They applied specific strategies that were adapted to their local environment. Some of these strategies worked some didnà ­t. The author says that by examining these nations, one may be able to repeat there success. The book is divided into three parts. In "Part One: Places" the author tells where these countries started from. Some were poorer than average. Some had little natural resources. The people of these countries had different outlooks on the world thus different behavioral tendencies. Part I is divided into five chapters each examining a countries. Woronoff begins Chapter 1 "Japanà ­s Two Miracles," by discussing Japanà ­s first industrial revolution. In 1853 when Commodore Perry opened Japanà ­s ports to foreigners, Japan was feudal society. It was not very evolved nor very modern. Agriculture was good but not enough for the growing population. Japan wanted to learn from the West. Japan sent many students to Europe and the United States. Soon Japan began industrializing. Groups called zaibatsu formed. These zaibatsu dominated industry and commerce. They manipulated politics to suit their own needs. Japan soon began concentrating own building a War Machine. After the Russo-Japanese War, the country went into a recession. But after the First World War, Imperial Japan began growing up until the end of the WWII. The war left Japan resouceless and heavily overpopulated. The victorious Allies gave or rather imposed democratization onto Japan. The zaibatsu were disbanded. Japan was left weak. The United States provided much financial support. Japanà ­s economy then began growing very fast. The Japanese protected...